Monday, 16 March 2015

Jon Mcnaught


Dolphin Cafe
one  of my photos, similar gradient and colours.

Double Page Spread for Art Review Magazine


Linocut and Lithographs, 2013, Life style express
one of my photos, similar could scheme.


Bristol http://jonmcnaught.co.uk/
Printmaking and comics
Works as a technician in the Uni of Bristol


He graduated from UWE in 2007 and works in Spike Island in the cafe and going to the print room after his shift.

He felt embarrassed making up his own sequences, and uses a lot from real life via photos or observations.


Is with NoBrow publishers and has done editorial work.
One of his comics is based on his suburban home town of Winchester, which he made up the name 'birch field close' for.
NoBrow saw his book on his blog, called him up and asked him to complete 'Birchfield close'.

A Magazine STRIPBURGER asked for some strips too.

Paint a colour in grey, and one in black, edit in Photoshop for the colours. 

Another book, Kingdom, is based on his sketches from a visit to Scilly islands where he spent a week camping and drawing. 

He noted the reflections and and everyday happenings that i am also interested in.


Intention


I think my work continually has a sense of movement and energy to it, be in buildings or people. I feel I can use colour well and enjoy testing what and how colour can change an image. I want to master the balance of colouring and lifework, as well as keeping the kinetic flow but making a piece look professional and not a sketch. I am inspired by what I see on the street  - textures of layered paint, crumbling buildings and what people wear. I recored what I see.

colour
movement
line

+ Printing - different print methods
and how colour is effected.
+ Limited colours and how it
effects the atmosphere.

+ Expressive
+ Calligraphic lines
+ Fashion
+ Weight and thickness,
how it affects movement.

+ Matisse - his bold use.
+ Jon Mcnought - atmosphere.
+ Claude Monet - impressionistic uses.

+  Chinese painting
+ Brush work
+ Laura Carlin

+ Picasso
+ Henri- toulouse Lautrec
+ Lucinda  Rogers


Laura Carlin...
Jon Mcnought



.......starting points.....
Colour - The sky, Light
Movement - Birds, People
Line - Buildings, Bicycles.
= Environment










My main objective is to record through reportage and observational drawing. I find being in situ inspirational and submergive. 
I am drawn to the way bicycles are tied to posts, left on sidewalks, how their paint contrasts with their background.
Buildings, perspective. The details you don’t quite notice when you look upwards. 
Within these, I’ll look into the way people interact with these spaces, how do they react?
And nature, within the town and country side, birds are the most popular wildlife, seen in the sky and perching on power lines.
And last of all, sky. How does the hour of day effect the light? How does the light effect the people, birds and atmosphere? 
All this is observing the environment and the things that make it.

Im going to achieve the textures through paint and print, and expand my practice in the print room.
I have a ‘catalog’ of photos I’ll use for primary research




Friday, 27 February 2015

Bike project

different views
I chose a bicycle and a pole to study, as bicycles have many components and always need practice to draw. The pole as it has lots of signs.



I altered the images in Photoshop.

I made some more finalised paintings using ink and changed the colours in Photoshop. I think they have a pop-art feel to them and would look good on a wall or as a pattern.


EDITED IN PHOTOSHOP.


Friday, 20 February 2015

Monocular vision

working from a picture we imagined ourselves in different camera angles. 
imagining it as a 3d sculpture or set made it easier to rotate and gain various viewpoints to show the relationship, the tension and action in the picture.


I highlighted important objects that hold interest in yellow, to show where the focus should be.

\/ Here i used the 8 different views and put them into context.

using gouache

altered the brightness and saturation in Ps to make it more appealing.


Monday, 2 February 2015

narrative


1.
What are you going to investigate? Your intent.
the influence of visual language and devices on narrative.
2.
What is the test content you are going to use for your experiment.
a narrative situation informed by your own sketchbook observational notes .
christmas project/ London or equivalent notes
3.
What are your communication objectives for the test content.What do you want people to think or feel when they see it?
The long pauses and bore of the situation, followed by anxiety of sudden change
(sitting in a cafe, not much happening, and a baby breaks the quietness).
……………………………………………………………………………….
4 . starting ref. point

analysis of screen shots and composition etc 


using cafe image from London, creating the same location description of the scene in North By Northwest and a disruption.


start of the storyboard. Simple pan around the location with noise effects.

The use of horizon line remedied me of Wes Andersons films and his use of symmetry in his shots.



Monday, 26 January 2015


a. Intent
to investigate the visual communication  of abstract – feelings and thoughts

b. Content
 1Poem. half remembered Childhood .
Some of these things are true
Fern Hill
Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb
Golden in the heydays of his eyes,
And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves
Trail with daisies and barley
Down the rivers of the windfall light.

And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
In the sun that is young once only,
Time let me play and be
Golden in the mercy of his means,
And green and golden I was huntsman and herdsman, the calves
Sang to my horn, the foxes on the hills barked clear and cold,
And the sabbath rang slowly
In the pebbles of the holy streams.

All the sun long it was running, it was lovely, the hay
Fields high as the house, the tunes from the chimneys, it was air
And playing, lovely and watery
And fire green as grass.
And nightly under the simple stars
As I rode to sleep the owls were bearing the farm away,
All the moon long I heard, blessed among stables, the nightjars
Flying with the ricks, and the horses
Flashing into the dark.

And then to awake, and the farm, like a wanderer white
With the dew, come back, the cock on his shoulder: it was all
Shining, it was Adam and maiden,
The sky gathered again
And the sun grew round that very day.
So it must have been after the birth of the simple light
In the first, spinning place, the spellbound horses walking warm
Out of the whinnying green stable
On to the fields of praise.

And honoured among foxes and pheasants by the gay house
Under the new made clouds and happy as the heart was long,
In the sun born over and over,
I ran my heedless ways,
My wishes raced through the house high hay
And nothing I cared, at my sky blue trades, that time allows
In all his tuneful turning so few and such morning songs
Before the children green and golden
Follow him out of grace,

Nothing I cared, in the lamb white days, that time would take me
Up to the swallow thronged loft by the shadow of my hand,
In the moon that is always rising,
Nor that riding to sleep
I should hear him fly with the high fields
And wake to the farm forever fled from the childless land.
Oh as I was young and easy in the mercy of his means,
Time held me green and dying
Though I sang in my chains like the sea.

2. Film.
Identity
The footprints she made 

3. Music.
Inside our heads –


c. Communication objectives (brief)
1. to communicate a sense of child hood in the form of an idealised unreliable memory 
2. to communicate the abstract nature of identity.
3. to communicate the introspection of thought.

d. Ref. point.(s)
1








Monday, 19 January 2015

smokers and drinkers




we had to study the desperation in smokers and coffee drinkers.


a. Intent
to communicate a sense of being somewhere with an illustration informed by by reportage.
c. Communication objectives (brief)
to communicate the sense of quiet desperation amongst coffee drinkers and smokers in the car park and refectory
Analysis of the drawing and components 







smokers to the left, drinkers to the right. noting posture and actions.